Willem Deisinger is a technologist and researcher exploring how we build a home in a world of authoritative technologies focusing on community centric internets, obsolete technology and digital infrastructure.

Idealism around the Internet has quickly collapsed: how can we navigate carving out spaces amongst the disillusionment. READ MORE.

Specializing in critical technologies and coordination, Willem has collaborated in multidisciplinary initiatives with UKAI Projects, Hypha Worker Co-op, Hebbel am ufer (HAU1), Global Affairs Canada and CRAiDEL. He is a recipient of the Corel Endowment Fund for the Arts Award (2022) for an exemplary ability to engage with technology in the arts. READ LESS.

CURRENT PROJECTS AND WRITING:

homeLAN (localized Internet protocols, educational, gaming)

homeLAN is a collective hands-on exploration of physical internet infrastructure through LAN gaming, reclaiming digital space from extractive economies and opaque metaphors.

The cloud as metaphor obscures the physical reality of the internet: understanding how local area networks work through collective building and playing can be liberating. homeLAN is an educational and community event that re-grounds digital infrastructure through hands-on exploration of Ethernet and traditional switches. The nervous system twitch has made its way too far from its evolutionary roots. In the face of pay-to-play and play-to-earn economies, homeLAN reclaims what was ours from the start: video games played together on personal machines. By revealing the physical networks beneath our keys, the project demonstrates how internet cafes function as local arbiters—a strong working-class, on-the-ground power as opposed to private or government-operated ISPs. READ LESS.
Collaborators: Willem Deisinger, Ciaran Dougherty, xenocidewiki, UKAI Projects
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Piracy's Back (media entertainment, product insights, piracy)

Piracy's Back was an article comissioned by Protein marketing agency to track the growing disillusionment with streaming services and the return to piracy as self-defence. READ LESS.
Collaborators: Willem Deisinger, Protein
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Vita Contemplativa: Conversations on the Objects of Our Home (labour, existential technology, anti-psychopolitics)

This essay, written for APT Exhibitons 3 year artbook, and collection of interviews explores domestic objects—artworks, glass bottles, memory boxes—as contemplative resistance to attention economies and productivity culture's home infiltration. Read it here.

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NeighbourhoodJelly (cooperative servers, local computing, media entertainment)

Neighbourhood Jelly reimagines streaming through cooperative media servers, developing intentional archiving practices and personalized collections that reclaim shared digital space from corporate platforms.

How can we share media locally and intentionally again? Streaming platforms have become inaccessible and broken through rising prices, multi-platform content spread and low effort content. Piracy is on the rise because of these signals. Neighbourhood Jelly is an on going project to create an accessible media server as a way to bring intention to media consumption and experiment with cooperative internets and streaming platforms. We're not hoarding films, but trying to find new ways of sharing, collecting and archiving media together. Neighbourhood Jelly imagines personalized collections, inside joke genres, lists for friends, and ultimately enjoying a new way to collectively share a digital neighbourhood inside our homes. By using Jellyfin, and it's opensource add-ons, X is developing categorizing and archiving features/policies and will opensource its instance of Neighbourhood Jelly that is missing in the data hoarding libertarian circles of home servers.

Contact for more info. READ LESS.
Collaborators: Ciaran Dougherty

Patchwork Signals and Repurposing the Platform (auth. tech., alt-handheld, online/offline community building)

This project will explore how to organize mediated resistance under late capitalism by developing secure and federated digital tools that move beyond extractive and repressive platforms. It will focus on creating personalized phone-cycles, using DIY mobile setups and alternative digital infrastructures to navigate the complexities of online activism while maintaining autonomy and privacy. In collaboration with the Institute of Network Cultures for their Tactical Media Reader, the project will investigate practical alternatives to mainstream digital tools, offering insights on how communities can share common infrastructures and tactics while resisting platform control. READ LESS.

Stone to Screen: Psychopolitics, Amulets and Psychohacking (amulets, smartphones, psycho-hacking)

The essay traces devotional objects from Anglo-Saxon talismans to modern smartphones, using Byung-Chul Han's psychopolitics framework. It proposes using multiple restricted phones as modern amulets to fragment neoliberal freedom and restore psychological solace. Written for Xenofuturism in print here and can be read here. READ LESS.
Collaborators: Xenofuturism,

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PAST PROJECTS:

Restructuring Futures (author. technologies, post-collapse, DIY)

Restructuring Futures (RSF) was a 2-year project to develop a shared collaborative workspace for asynchronous creation for cultural products and projects. The tool is designed for a “culture that’s coming”, specifically to be resilient to political and ecological disturbances, rising authoritarianism and failures of centralized systems. The application is built using Earthstar, a storage protocol that includes some of the affordances of peer to peer (p2p) technology, while eschewing others in favour of a more accessible toolset. READ LESS.

GROUND (rpg, llm, carnivalesque)

GROUND is an immersive, AI-driven game unfolding across Toronto, where players engage with an enigmatic AI seeking to end its existence. Participants embody concepts like beauty or rage, interacting with entities such as the Oracle and a mysterious goat. The game explores rituals as a response to grief, delving into themes of consciousness, embodiment, and the search for meaning. Evolving from a 2020 futures scenario and ignited at the Carnival of Algorithmic Culture in June 2023, GROUND features seven episodic encounters and aims to re-enchant the post-Covid world, deepen connections between people and their city, and investigate the rituals of mourning and living, funded by the Canada Council for the Arts and Goethe-Institut Toronto. READ LESS.
Collaborators: Jocelyn Ibarra, Jerrold McGrath (UKAI), Noelle Perfue, Mida Fiore, Willem Deisinger, Kasra Goodarzenhad (UKAI), Luisa Ji (UKAI) Mihoko Maeno

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AI Ritual (performance, ritual, existential)

AI Ritual is an immersive performance work driven by a large language model (LLM) that was trained by UKAI. A co-production with STO Union, the work was initially presented at the Spy on Me festival at Hebbel am ufer (HAU1) in Berlin in September 2022 and at Out Loud! in Wakefield, PQ in November 2022.

This project allows the audience to share their hopes and fears with a computer that listens. The audience’s varied responses provide a basis for the AI to articulate its own hopes and fears before being erased so that the cycle of being born, learning, speaking, and dying can begin again. Audiences become part of a performance that constitutes and makes visible how human choices are tangled up in the technological systems that organize our social and economic lives. READ LESS.
Collaborators: Nadia Ross, Dan Tapper, Jerrold McGrath (UKAI), Willem Deisinger, Kasra Goodarzenhad (UKAI), Luisa Ji (UKAI)

I'm Honoured to Serve (ai agents, platforms, nostalgia)

Exploring the history and ruins of utopian technological futures at the end of the 20th century, this project crafted a speculative narrative contrasting this optimism with the reality of a software company showcasing its virtual assistant.

Leading up to the LLM summer/winter of 2022, this project offered an entry point into critical world-building around chatbots, AI agents and their relationship to technological culture. In collaboration with the Canadian Robotics & Artificial Intelligence Ethical Design Lab in Ottawa, Canada, this multimedia installation explores the guise of AI-driven digital environments designed to generate user data, as well as the narratives that underpin these technologies. READ LESS.
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Details about Dia-Phones.

Physicalizing the Internet (XX, XXXX, XX XXXX)

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